张培力 ZHANGPEILI

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张培力
Email：zplvideo@126.com

张培力，1957年生于杭州，1978年到1980年在浙江省人防工人建筑队做工人，1984年本科毕业于浙江美术学院(现中国美术学院)油画系，获学士学位，1984年至2000年先后任教于杭州工艺美术学校和杭州师范大学美术学院，2001年调入中国美术学院，2003年在中国美术学院创立新媒体系，2012年至2022年任OCAT上海馆执行馆长，现工作，生活于杭州。
张培力于1985、1986年组织并参与了“85新空间”展览及艺术家团体“池社”。《30×30》(1988)被认为是中国最早的录像艺术作品。

Zhang Peili was born in Hangzhou in 1957, worked as a laborer in the construction team of Zhejiang Province's Human Defense Workers from 1978 to 1980, graduated from the Oil Painting Department of the Zhejiang Academy of Fine Arts (now China Academy of Art) with a Bachelor's Degree in 1984, taught at the Hangzhou School of Arts and Crafts and the Academy of Fine Arts of Hangzhou Teacher's University from 1984 to 2000, transferred to the China Academy of Art in 2001, founded the New Media Department at the China Academy of Art in 2003, and was the Executive Director of OCAT Shanghai from 2012 to 2022. In 2001, he transferred to China Academy of Art, and in 2003, he founded the New Media Department at the China Academy of Art. From 2012 to 2022, he will be the Executive Director of the OCAT Shanghai Pavilion, and now he lives and works in Hangzhou.
In 1985 and 1986, Zhang Peili organized and participated in the exhibition “85 New Space” and the artist group “Ikisha”. 30×30 (1988) is considered the earliest video artwork in China.

大事记

1957 出生，祖籍浙江温岭，排行第四，父亲在医学院教授正常人体解剖，母亲为妇产科医院助产士。祖父张翰庭，当地乡绅，因在1948年震惊中外的吴淞口“江亚轮”海难事件中奋力救起400余人而著名，1950年蒙冤而死；反右；

1958 两岁；大跃进；

1959 三岁；三年自然灾害

1964 小学；中国成功爆炸第一颗原子弹；

1966 小学三年级，加入少先队；开始学习素描；“文革”开始；

1970 初中；中国发射第一颗人造卫星；

1971 加入红卫兵；林彪事件；

1976 高中毕业后因病留城，在家待业；“四五天安门事件”；毛泽东去世；唐山地震；“文革”结束；

1977 在医院做临时工，绘制医学教学挂图；全国恢复高考；

1978 第一次考浙江美术学院落榜；进浙江人防工程建筑队当工人；

1979 准备再考美院；美院停止招生一年；“星星美展”；中美正式建交；

1980 考入浙江美术学院（现中国美术学院）油画系；“第五届全国美展”；“法国现代画家埃利翁作品展”在北京、上海举办；

1982 “韩墨藏画：五百件名作原件展览”在北京、上海举办；

1984 毕业于浙江美术学院（今中国美术学院）油画系；在杭州工艺美术学校任教；在中国美术家协会浙江分会临时工作，组织青年艺术创作活动；“第六届全国美展”；

1985 组织创立“青年创作社”；组织参与“85新空间展”；创作《仲夏的泳者》、《休止音符》等作品；“罗伯特·劳森伯作品展”在北京中国美术馆举办；

1986 参与组织“池社”；参与“作品一号——杨氏太极系列”等集体艺术活动；创作《X？》系列；结婚；参加“珠海会议”、“全国油画艺术讨论会”；

1987 创作《“先奏后斩”的程序——关于<X？>》、《艺术计划第二号》、《今晚没有爵士》等作品；儿子出生；

1988 沪杭地区流行甲肝，被感染得病住院；创作《1988年甲肝情况报告》、《褐皮书一号》、《30X30》等作品；参加“黄山会议”；

1989 参加北京中国美术馆“中国现代艺术展”；“1989年事件”；

1990 创作《水——1989的标准发音》及“健美”系列；德国统一；

1991 创作《（卫）字3号》、《水——辞海标准版》等作品；参加“车库展”（上海）；苏联解体；

1992 在北京外交人员俱乐部举办“最近的工作——张培力、耿建翌作品展”；第一次出国，参加美国“OMI”基金会艺术活动；

1993 在巴黎世界文化宫圆点画廊（Galerie du Rond Point，Maison des Cultures du Monde）举办第一次个展；在巴黎Crousel-Robelin画廊举办第二次个展；参加第45届威尼斯双年展

1994 参加芬兰波里艺术博物馆“走出中心”展，在纽约逗留10个月；

1995 回国；完成油画作品《飞行器》系列，至此放弃架上绘画；

1996 创作《不确切的快感》等作品；

1997 创作《进食》等作品；作品《（卫）字3号》、《进食》被纽约现代艺术博物馆（MoMA）收藏；香港回归；

1998 在纽约现代艺术博物馆（MoMA）举办个展；

1999 创作《祝你快乐》等作品；参加第48届威尼斯双年展；

2000 创作《同时播出》等作品，开始运用影像现成品；参加第3届上海双年展；杭州工艺美校撤销，并入杭州师范学院（现杭州师范大学）；

2001 创作《台词》等作品；由杭州师范学院借调到中国美术学院，建“新媒体艺术中心”，任主任；

2002 调入中国美术学院，负责筹建“新媒体系”；创作《遗言》等作品；招收研究生；

2003 参加第50届威尼斯双年展；中国美术学院新媒体系正式建系，任主任；

2004 创作《向前、向前》等作品；参加第5届上海双年展；开始新媒体系本科教学；

2005 创作感应录像装置作品《最低像素》

2006 在北京举办首次国内个展“短语”；

2007 创作《窗外的风景》等作品；中国美术学院新媒体系第一届本科生毕业

2008 在纽约Jack Tilton画廊举办个展；在北京优艾思贝画廊举办个展，创作录像装置作品《阵风》；在深圳OCAT当代艺术中心举办个展，创作录像装置作品《静音》；出版第一本个人画册；中国举办奥运会。

major event

1957 Born in Wenling, Zhejiang Province, fourth in line, his father taught normal human anatomy at the Medical College and his mother was a midwife at the Obstetrics and Gynecology Hospital. His grandfather, Zhang Hanting, was a local squire who was famous for his efforts to save more than 400 people in the 1948 Wusongkou “Jiangya” shipwreck, but died in 1950 in a wrongful death; anti-rightist;

1958 Two years old; the Great Leap Forward;

1959 Three years old; three years of natural disasters

1964 Primary; China successfully explodes its first atomic bomb;

1966 Joined the Young Pioneers in the third grade of elementary school; began to study sketching; the Cultural Revolution began;

1970 Junior high school; China launches its first artificial satellite;

1971 Joined the Red Guards; Lin Biao incident;

1976 Stayed in the city after graduating from high school due to illness; stayed at home to work; “April 5 Tiananmen Incident”; death of Mao Zedong; earthquake in Tangshan; end of the “Cultural Revolution”;

1977 Temporary work in hospitals, drawing wall charts for medical teaching; national college entrance examination resumed;

1978 Failed the first examination of Zhejiang Academy of Fine Arts; entered the construction team of Zhejiang Human Defense Project as a laborer;

1979 Preparation for the re-examination of the Academy of Fine Arts; the Academy stopped enrollment for one year; “Stars Art Exhibition”; China and the United States formally established diplomatic relations;

1980 Admitted to the Oil Painting Department of Zhejiang Academy of Fine Arts (now China Academy of Art); “The Fifth National Art Exhibition”; “Exhibition of Works by French Modern Painter Ellion” held in Beijing and Shanghai;

1982 “Hanmo Hidden Paintings: Exhibition of 500 Original Masterpieces” held in Beijing and Shanghai;

1984 Graduated from the Oil Painting Department of Zhejiang Academy of Fine Arts (now China Academy of Art); taught at Hangzhou School of Arts and Crafts; worked temporarily at the Zhejiang Branch of the China Artists Association, organizing youth art creation activities; “The Sixth National Art Exhibition”;

1985 Organized and founded the “Youth Creative Society”; organized and participated in the “85 New Space Exhibition”; created works such as “Midsummer Swimmers” and “Resting Note”; "Robert Rauschenberg's Works Exhibition Robert Rauschenberg Exhibition" was held in the National Art Museum of China, Beijing;

1986 Participated in the organization of “Pool Society”; participated in collective art activities such as “Work No. 1 - Yang's Taiji Series”; created the "X? Participated in “Zhuhai Conference” and “National Oil Painting Symposium”;

1987 Created works such as “The Procedure of ”Prelude and Then Chop“ - About <X?>”, “Art Project No. 2”, “No Jazz Tonight”; birth of a son;

1988 Hepatitis A epidemic in Shanghai and Hangzhou, infected and hospitalized; created “1988 Hepatitis A Situation Report”, “Brown Book No. 1”, ‘30X30’, etc.; participated in the “Huangshan Conference”;

1989 Participated in “Chinese Modern Art Exhibition”, National Art Museum of China, Beijing; “1989 Event”;

1990 Created “Water - Standard Pronunciation of 1989” and “Bodybuilding” series; German Unification;

1991 Created works such as “(Wei) No. 3” and “Water - Standard Edition of Dictionary”; participated in the “Garage Exhibition” (Shanghai); dissolution of the Soviet Union;

1992 Organized “Recent Work: Zhang Peili and Geng Jianyi's Works” at the Diplomatic Club in Beijing; participated in the art activities of the OMI Foundation in the United States on his first trip abroad. First time abroad, participated in the art activities of “OMI” Foundation in the United States;

1993 First solo exhibition at Galerie du Rond Point, Maison des Cultures du Monde, Paris; second solo exhibition at Galerie Crousel-Robelin, Paris; participation in the 45th Venice Biennale

1994 Participated in the exhibition “Out of the Center” at the Museum of Art in Pori, Finland, and stayed in New York for 10 months;

1995 Returned to China; completed the series of oil paintings “Flying Machines” and gave up easel painting;

1996 Created works such as “The Thrill of Inexactitude”;

1997 Created works such as “Eating”; works (Wei) No. 3 and Eating were collected by the Museum of Modern Art (MoMA), New York; Hong Kong's return to China;

1998 Solo exhibition at the Museum of Modern Art (MoMA), New York;

1999 Created works such as “Wish You Happy”; participated in the 48th Venice Biennale;

2000 Created works such as “Simultaneous Broadcast” and began to utilize video readymades; participated in the 3rd Shanghai Biennale; Hangzhou School of Arts and Crafts was abolished and incorporated into Hangzhou Normal College (now Hangzhou Normal University);

2001 Created “Lines” and other works; seconded from Hangzhou Teachers College to the China Academy of Art to establish the “New Media Art Center” as director;

2002 Transferred to the China Academy of Art, responsible for the establishment of the “New Media Department”; created works such as “Last Words”; recruited graduate students;

2003 Participated in the 50th Venice Biennale; formally established the Department of New Media at the China Academy of Art and became its director;

2004 Created works such as “Forward, Forward”; participated in the 5th Shanghai Biennale; began undergraduate teaching in the Department of New Media;

2005 Creation of the sensory video installation “Minimum Pixel”

2006 Held his first solo exhibition “Phrase” in Beijing;

2007 Created works such as Landscape Outside the Window; the first undergraduate graduation of the New Media Department of China Academy of Art

2008 Solo exhibition at Jack Tilton Gallery, New York; solo exhibition at UEsbay Gallery, Beijing, video installation Gust of Wind; solo exhibition at OCAT Contemporary Art Center, Shenzhen, video installation “Mute”; publication of his first solo album; Olympic Games in China.